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Barnard-Stockbridge Glass Plate Negatives

 Collection — Multiple Containers
Identifier: PG 008-3

Content Description

Photographs documenting mining activities and everyday life in Wallace, Idaho and the Coeur d'Alene Mining District.

Portrait images are mainly studio portraits of local residents ranging from families, businesspeople, to portraits of prostitutes and criminals taken for registration with the police. Landscapes and town images include buildings and houses in Wallace and the surrounding towns as well as streetscapes and panoramic views. Most notably are images of Wallace before and after the 1910 fire and of other natural disasters.

all images are attributed to either Nellie Stockbridge or T.N. Barnard. With the exception of Frank Hess, other studio employees were not noted.

This is a later donation of materials that did not come with the original donations but is being added to the larger collection in order to keep as many of the Barnard-Stockbridge images together as we can.

Due to the size of the collection, it is broken up into three finding aids, this one comprised of the the most recent additioans to the collection. PG 8-1 is comprised of a majority of the portraits, and PG 8-2, which includes all of the letter series in the original numbering system, showing locations, businesses, everyday life, as well as some portraits.

Dates

  • Creation: 1900-1910

Creator

Conditions Governing Access

Collection is open for research.

Biographical / Historical

In 1889, Thomas Nathan Barnard and his wife moved to Wallace, Idaho to open a photo studio. Barnard had previously owned photo studios in Murray and Wardner to take advantage of the mining frenzy in the area. Shortly after, in 1890, the studio was destroyed in a fire with only a small amount of his negatives surviving. Most of the photographs taken in the early years included landscapes, placer workings, townscapes, and panoramic views of Wallace and Murray Idaho, taken on 5 x 7 and 8 x 10 dry-plate negatives. Barnard made most of his living from his landscape photographs, which were for sale to the general public and commissioned portraits.

Barnard also had interests in mining and politics, and soon needed help running the studio. In 1898, Nellie Jane Stockbridge left her home in central Illinois to accept Thomas Barnard's offer of employment in his Wallace, Idaho photo studio. Stockbridge was a dedicated photographer and businesswoman. In 1907, she purchased a quarter share of the business and eventually assumed full ownership when Barnard became the mayor of Wallace. Barnard passed away in 1916.

Over the next few decades, working often to exhaustion, Stockbridge photographed the people and places of one of the richest mining areas of the world, the Coeur d'Alene Mining District. While portrait photography was the mainstay of her studio, Stockbridge skillfully photographed the area's mining industries, both above ground and below, creating a visual record of historical significance to Idaho and beyond. Employing the help from local students and studio employees, Stockbridge and team would lug her heavy camera equipment out into the field, traveling down into the mines to document the miners and their progress, or climbing the steep hillsides surrounding the valley in order to get panoramic shots of the buildings and towns. Nellie Stockbridge died on May 22, 1965. Influential Wallace businessman Richard Magnuson suggested to Stockbridge a few years before her death to donate the collection to the University of Idaho, and in 1965 Stockbridge's niece and apparent heir, Ruth Ray, followed suit, arranging for the transfer with the help of Magnuson and Henry Day, another influential Wallace businessman.

Extent

3.5 Cubic Feet (6 document box (4 legal sized and two letter).)

Language of Materials

English

Abstract

Over two hundred glass negatives portraits and landscape images from the Wallace, Idaho area taken by the Barnard-Stockbridge Studio.

Arrangement

Materials were arranged into three series. Series 1 is split into two subseries of portraits. The first subseries are portraits received from the Musuem of North Idaho. The second subseries are materials that were transferred from the Laboratory of Anthropology.

Series 2 and Series 3 consist of Landscapes and Documents which were transferred from the Laboratory of Anthropology.

Immediate Source of Acquisition

These glass negatives come from two different donations to the University of Idaho Special Collections.

Series 1 Subseries 1 materials were transferrd from the Museum of North Idaho in 2025. The Museum of North Idaho was relocating to a new building and was loosing storage space and they reached out to the University of Idaho to see if we would be interested in these negatives along with a number of other materials which fit our scope of colleciton.

The remaining materials were transferred from the University of Idaho Laboratory of Anthropology in 1999 by Leah Evans-Janke. The Lab rescued them from the Library's loading dock years prior when they were set to be thrown away. They were transferred back to the Library when the Antropology Lab was being relocated and after a newer review, it was deteremined to keep a majority of them.

Processing Information

Damaged glass negatives were removed during processing. This includes glass negatives with large quantities of paper stuck to the and unable to be removed, severly broken negatives, and negatives where large portions of the image were missing. This total to approximately 49 glass negatives.

Title
Guide to Barnard-Stockbridge Glass Plate Negatives
Status
Completed
Author
Finding aid prepared by Kelley Moulton
Date
2025
Description rules
Describing Archives: A Content Standard
Language of description
English
Script of description
Latin
Language of description note
Finding aid written in English.

Repository Details

Part of the University of Idaho Library, Special Collections and Archives Repository